A poem by Keith Shadwick

Keith Shadwick was a jazz musician, music critic, author of numerous books on music and a poet. He came up with the original idea for the staging of Southbank Centre’s ‘Ancient Mariner’ – premiered this July at London Literature Festival. He died of cancer a year ago. Here is one of his poems, written one summer in Italy.

‘at Umbertide’ – by Keith Shadwick

at Umbertide
the purple of the primroses –
aromas delicate and close
in the still noon sun.

I sit in the veranda’s shadow
the breeze on my bare back
skin cooling
seeking in each tree leaf a pattern of decay
each mountain
an imperceptible crumble

each heat haze
a question as to the day’s conclusion

the fields
green & khaki below
verticals and obliques
patrolled by birds of prey
a kestrel hunting field mice
amid hot air spirals

around the house
wasps work at destroying the wooden beams
supporting each veranda
the terraces slowly undermined
as bird cries echo across the hill
into the plain below
measuring its limitless expanse
& leaves drop from darker trees.

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The Illustrated Rime of the Ancient Mariner

The Wedding, or the Rime of the Ancient Mariner was developed with young people from five local primary schools. Their creative response to the poem inspired the piece - check out this gallery of their Ancient Mariner artwork.

Ancient Mariner Your Tale is Told

Saturday’s performance of The Rime of the Ancient Mariner received great praise, from all quarters. One parent said that it was ‘a life changing experience’ for her daughter, and the audience reaction has been overwhelming. You can see some great photos of the show in Alex and Yemisi’s blog posts.

The whole project started by researching and developing children’s imaginative responses to Coleridge’s poem. Below are two podcasts of a retelling of The Rime of the Ancient Mariner, by Daniel and Ned, from Heathbrook Primary School. Part one of the retelling, by Alex, can be found here

 

Keith Shadwick & The Ancient Mariner

Keith Shadwick was a talented poet, musician, music critic and author.

He first read “The Rime of The Ancient Mariner” as a teenager. It was ingrained in him. He kept returning to it at different times in his life and each time it took on new meaning. It was one of the first poems he read with his wife Alison when they met.

In 2007, round the time of the re-opening of the Royal Festival Hall, Keith spoke with Artistic Director Jude Kelly (read Jude’s tribute below) about his idea for a cross-cultural production of the Coleridge poem, with music and theatre. Jude was enthusiastic and encouraging. Shan Maclennan, Creative Director of Learning and Participation at The Southbank, then developed the idea with Keith. They shared an obsession with the poem. But Shan’s and Keith’s intense collaboration lasted only a few weeks.

Keith died a year ago this month of the cancer mesothelioma, aged 57.

The premiere of the musical, theatrical, wonderful “”Ancient Mariner”, based on Keith’s and Shan’s original idea, took place on Saturday at The Southbank Centre in a co-production with The Young Vic and 150 London schoolchildren. The music was composed and performed live by SB Artists-in-Residence “Bellowhead”.

As the music surged along the waves and soared across the skies outside the Southbank (competing with the sound of helicopters and trains!), and the children’s sweet voices trilled and thrilled in harmony with the beautiful bass boom of the Ancient Mariner, there were a few of us in the audience for whom this performance was especially moving. Keith’s wife Alison Shadwick-Cole was there with Shan Meclennan and Jude Kelly. The producers Lucy McNab and Alexandra Brierley, the whole Creative Team and the children had all been told about Keith and his idea.

And there were friends of Keith’s like me there. When I heard the saxophone (Keith’s main instrument) break through, John Coltrane-like, near the end I felt joy. We miss Keith so much but thanks to the talent of so many hundreds of dedicated, creative people his “People’s Opera” is now with us for ever.

JUDE KELLY WRITES:
One night I had dinner with Keith and Ali. Keith wanted to talk to me about an idea that he had always been yearning to explore.
He wanted to see realized a performance /music piece of the Ancient Mariner – and had a hunch that the composer/musician David Sylvian might create a wonderful score
Soon after that David Sylvian contacted me – and we talked . Ancient Mariner didn’t grip him and we considered other things. But I had now got the sense of Keith’s imminent departure and I wanted to help him realize a piece of art that I knew could be powerful and connect with many people. So I also had a hunch. I asked Shan Maclennan to phone Keith and meet to discuss it. I was looking to commission a work from Shin that demonstrated her tremendous sense of creative adventure. Shan immediately said to me, The Ancient Mariner is one of my favourite poems – I have written about it and studied it for many years”.
This is why hunches are more important than best laid plans. This is what art relies on.
Both Keith and Shan had a poweful desire to make this piece – but first they had to bump into each other.

Brian Chikwava and Nothing Like the Sun events

Sadly the Zimbabwean author Petina Gappah didn’t get a visa to come to the UK so Brixton-based Brian Chikwava had to go it alone yesterday in conversation with Paul Blezard. Fortunately he turned out to be riveting company for a packed event. Brian, winner of the Caine prize for new African writing, proved to have an infectious laugh and a nice line in self-deprecation. Here’s a tip for budding authors – the seed of his debut novel Harare North was sown when sitting under the tree outside the Ritzy cinema in Brixton. ‘Just hang out there,’ he advised. People from all over the world come with their stories. Apparently you just have to sit, and they’ll tell you all. A chat with a fellow from Uganda who got all nostalgic about his AK-47 days back home gave Brian the key to his (unnamed) unreliable narrator. Unnamed?  Brian revealed he DOES have a name but he took it out of the book when he switched from telling the story in the 3rd person to the 1st. Despite Paul’s pushing, Brian wouldn’t reveal it… an author’s gotta keep some secrets.

Was the narrator to some extent based on Brian himself? Brian cracked up. ‘Not really… I’m, erm… reliable!’

Touchingly, Brian revealed that he finds praise ‘frightening’. (Better get used to it…) He concentrates on making ‘a work of art’, not a political statement, and reveres Isaac Babel. Finally, asked Paul, does he see himself as a writer or a storyteller? A pause for thought. ‘I’m a Brixtonian…’ and another of those belly laughs.

Later on I stuck my head into the QE Hall to see the 2,000+ ticket holders waiting to see Buzz Aldrin. Awesome! But I was on a different mission. I took my seat in the Purcell Room to enjoy a radical reworking of some of Shakespeare’s sonnets, set to music by Natalie Merchant, Anthony Hegarty, Gavin Friday and Gavin Bryars.

The first half took 5 sonnets, five settings. Two singers, soprano Anna Maria Friman and tenor John Potter, wove their magical voices through the pulsing, shimmering notes, while two actors, Chuk Iwuji and Hannah Barrie, read each sonnet before its transformation into music. I thought the pieces worked best when they didn’t just turn the sonnet into a conventional song – eg Mira Calix’s inventive deconstruction of sonnet 130, ‘My mistress’ eyes are nothing like the sun’ – which Iwuji really seemed to relish reading! And Gavin Friday tore into sonnet 40 (‘Take all my loves, my love, yea, take them all’) finally flinging down the mic and rushing from the auditorium wailing ‘Kill me with spites’ like a man possessed.

After the break it was Gavin Bryar’s turn with his magisterial setting of sonnets 60, 123, 128, 94, 102, 146, 55 and 64 which took up the second half. Friday returned, sombrely intoning the words, his voice becoming another instrument. The words and music blended and intertwined; this is a complex piece which would repay many listenings. Fantastic stuff.

The Wedding Album

How proud the parents of the 150 youngsters who performed Coleridge’s Rime of the Ancient Mariner must be. The primary school children from Lambeth and Southwark did a magnificent job of reinvigorating a much loved classic with immense festivity and enthusiasm. Here are some photographs that hopefully capture the liveliness of the sun-soaked performance.

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Please take a look at the full set of photographs here.

Thank you to everybody involved for such a wonderful show.

The Rime of the Ancient Mariner bursts into our lives

What a special thing this performance was! Sights and sounds unleashed the power of Coleridge’s words and the effect was utterly captivating. It was a complete and total treat for the senses. The costumes, the music, the children, the acting, the direction, each contributed in a most perfect and clever way. The wide open air was filled with drama. It was one of those shows that makes you pity (and despise) the people that missed it. A huge amount of work must have gone into this. But what a unique gift it was to the audience. I wonder what Coleridge himself would have thought of it? It was thrilling for a piece of work written in 1797 to explode into our lives in 2009. I can’t wait to re-visit the poem, armed as I now am, with such great memories of the show.

Captain’s Blog: The Rime of the Ancient Mariner

Published below is the Captain’s Blog: extracts from the day to day course of the good ship The Rime of the Ancient Mariner. Today’s entries are the final installment, taken from the Co-producers’ emails in June 2009.

Mon 08/06/2009 23.46 From Jessica Curtis, Costume Designer – “As far as an alternative machine structure goes, my original idea was a skinny-er version of this stairway, with more uprights and an eccentric higgledy piggledy feel…Firemans pole anyone?”

Tues 09/06/2009 20.06 From Lucy Macnab, Co-producer – “Great meeting with Sarah and Co from Slow food today. They’d like to bring 4 stalls to trade on 4th July, still tbc exactly what but thinking
1. Oysters
2. Pork and veggie pies
3. Drinks (ale/perry/apple juice/cider)
4. something sweet and child friendly. Thanks Sue, it’s a perfect match! They’re even coming in to do a tasting session and talk about Slow Food in one of the schools that’s working on the project.“

Wed 10/06/2009 15.31 From Nikki Shaill, Participation Assistant – “Oh how I love bunting! Great idea to get local community group involved in making the bunting…”

Thu 11/06/2009 11.56 From Sarah Moore, Slow Food London – “It roughly involves me doing a short talk (a few minutes) about chocolate, lots of ‘did you know…’ touching on environmental impact of food production, nothing heavy but just establishing the link and particularly relevant to chocolate, the issue of fair trade. I will blind test them on 2 varieties, one a cheap one and one organic fair trade one. I invite the children to express their observations in the different tastes, this usually causes huge excitement!”

Thu 11/06/2009 11.55 From Lucy Macnab, Co-producer – “I’ve just spoken to Gillian Melling, the older people’s coordinator at Waterloo Action Centre. She’d be really up for bunting making, preferably on Thursday 2nd July at the centre, with the Out and About club although some people would be able to walk along to Young Vic if that’s necessary. We’d have to provide sewing machines.”

Fri 12/06/2009 09.41 From Keith Khan, Site Design – “This all looks lovely. I like the one with flowers. Don’t we need more friendly information on this? A bit of the poem, go and buy a drink? relax, the performers will be all over you, on top of you, and a bit more of a “wedding” style menu?”

Fri 12/06/2009 11.01 From Lisa Bird, Foyles Manager – “Just to confirm, we will be stocking copies of the poem as well as copies of the illustrated edition at the time of the event.”

Fri 12/06/2009 23.40 From Jessica Curtis, Costume Designer – “just to let you know that Cherish and I had a grand day at the National finding clothes for Jude, Bellowhead, Life in Death and the Albatross.”

Tues 16/06/2009 08.06 From Lucy Macnab, Co-producer – “Hi everyone, I thought you and possibly the children might like to see this – it’s a photograph from yesterday’s Guardian newspaper. It is the contents of the stomach of a dead fledgling Laysan Albatross – including cigarette lighters, a toothbrush and many plastic items – laid out as a warning about pollution. The bird was found at Kure atoli, a remote Hawaiian island.  Apologies for the bad photo…I think it just shows you so neatly the story we are telling with our performance, about how we are damaging the planet and the albatross for real. Thank you all for working so hard on this amazing poem.“

Thu 18/06/2009 11.17 From Lucy Macnab,  Co-producer – “Just to let you know that we’ll be arranging a move of the planters and chairs from SbC Square. This is to make space for our performance of the Rime of the Ancient Mariner. Our production crew will move them using a forklift. Can you advise on where they are normally stored during cases like this?“

Tues 23/06/09 17.58 From Anne Doyle, Assistant Producer – “Hello, and thank you for your interest in singing with the Wedding Party procession. We’re sending these few points to make your participation as enjoyable and fun as possible.”

Captain’s Blog: The Rime of the Ancient Mariner

Published below is the Captain’s Blog: extracts from the day to day course of the good ship The Rime of the Ancient Mariner. Today’s entries are taken from the Co-producers’ emails in April and May 2009 – stay in touch to follow how the project has developed since then.

Thu 02/04/2009 10.16 Lemn Sissay, Artist in Residence – “Spring is here and you deserve an epic and famous poem that celebrates nature and so much more.”

Mon 06/04/2009 17.26 Specialist Aggregates “Thank you for your “Wish List” , I’m having slight palpitations over the volume of Oysters and Mussel shells we have in stock but don’t worry I will make sure you have a good selection of suitable alternatives if I don’t have these.“

Tue 07/04/2009 09.11 From Keith Khan, Site Designer – “the rough proposed plan we have of how to “circumnavigate” the RFH through the show”

Tue 07/04/2009 20.56 from Pete Flood, Bellowhead – “I have an idea of how to go about [making creaking sounds], but I’ll need to get rope, rosin and a few other bits and bobs.”

Fri 10/04/2009 13.43 From Andrew Steggall, Director – “Amazing music on the CD you gave me. The kind of pulsing chants are amazing. We should really think about using Jude Akuwudike’s native, Nigerian language with all its percussive and onomatopoeic qualities”

Fri 17/04/2009 12.28 From Andrew Steggall, Director – “Do you have an image yet? I thought a silhouette of a bird/man creature would be cool. Or a photo of one of our kids with white chalk on his face…”

Mon 20/04/2009 10.23 From Pete Flood, Bellowhead – “Apologies for the awful singing and voiceovers, the embrionic arrangements and all other shortcomings – these are just sketches…Hopefully they won’t scare the schildren too much!”

Fri 24/04/2009 17.30 From Shan Maclennan, Creative Director, Learning & Participation – “We have a strong sound world emerging through Bellowhead which can go beyond the composition of the songs and I think we should make the most of this.”

Wed 29/04/2009 17.07 From Andy Mellon, Bellowhead – “when London orchestras use things like this they hire them from a place in Acton called (ironically) “Bell Percussion”…I couldn’t see any church bells on their site, but it might be worth giving them a bell!!!”

Wed 06/05/2009 20.06 From Alexandra Brierley, Co-producer – “So you know, all shells etc are ordered and due to arrive at Wyvil by 9am on Monday. They were a bit short of oyster shells so have boosted numbers with scallop and something else. Hope that is ok.“

Wed 06/05/2009 22.05 From Andrew Steggall, Director – “would be brilliant if we could achieve with the noise machine from my point of view…That it can be climbed on to a height that is not dangerous for the children…That at least part of it can be seen across the space (so, tall I guess)…That it plays a part in our seaside, fishing village, wedding scene…”

Thu 21/05/2009 18.19 From Alexandra Brierley, Co-producer – “Trousers are a one size fit all jobby”

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