Top 5 Picks / 5 days left / Happy 5th Birthday, London Literature Festival

This year celebrates the 5th birthday of the London Literature Festival and if you’ve not managed to catch any events yet, don’t fear!  There are still 5 days left, and below are a selection of  5 great events that I’m looking forward to.  There are plenty more to see, so do browse the programme.

To celebrate the festival’s 5th birthday, on Thursday I found myself standing on the Queen Elizabeth Hall’s lovely roof pavilion garden which offers glorious views over the River Thames. Yet it was not the view that most engaged me but the sight of a scarecrow in the pavilion garden.  The garden commemorates the Festival of Britain and has in part been created in partnership with homeless people.  It was an evening packed with delights:  I saw Ali Smith read from a specially commissioned essay on Tracey Emin to tie in with the Emin exhibition currently showing at the Hayward Gallery and Smith and Rachel Holmes both gave some brilliant readings of a range of literary passages pertinent to Emin’s work as well as from Emin’s work itself.

Ali Smith and Rachel Holmes at London Literature Festival

They then engaged in a fascinating discussion which in part drew out the parallels between roles of the writer and artist, and their shared concern with ‘narrative’. Alan Hollinghurst also appeared discussing his marvellous new book, whilst we were also treated to an event with Ben Okri who this year celebrates a landmark anniversary for the publication of “The Famished Road”. Film maker and novelist Xiaulo Guo also presented her band The Syndicate in a beguiling evening of poetry, spoken word and music.

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Top 5 picks for the rest of the festival: 

London Literature Festival


The Post Show Party Show

Friday 8 July 2011 – 19:45

Award-winning writer and performance artist Michael Pinchbeck takes his parents on tour to recreate the post-show party where they met after an amateur dramatic production of The Sound of Music. His mum was a nun. His dad was a Nazi.

A poignant re-enactment to the iconic soundtrack, The Post Show Party is ‘a teasing, gently witty and entertaining piece about the shifting nature of reality’ (The Guardian).

‘Fans of The Sound of Music will love this wonderfully ironic twist on their favourite show, and anyone else will simply be charmed by the beauty of a family under construction in the past and still creating today.’ (The British Theatre Guide)

Selected for the British Council’s Edinburgh Showcase 2009. Supported by Dance4, Nottingham City Council and the National Lottery through Arts Council England

Alexandra Harris: Romantic Moderns

Monday 11 July 2011 – 19:00

“Alexandra Harris’ groundbreaking book Romantic Moderns, which won the Guardian First Book Award, challenges the idea that Modernist design could only be hi-tech and futuristic in style. She discusses how an alternative sense of the ‘modern’ developed in the work of mid-century English writers and artists, including Virginia Woolf, John Piper and Bill Brandt, who were in touch with the landscape, locality and climate of England at the time.”

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Zaha Hadid

Tuesday 12 July 2011 – 19:30

Zaha Hadid’s groundbreaking and often controversial architecture offers a vision of the future in the present day. She discusses her work and her vision in this event.

In a career spanning over 30 years, her buildings have continued to evolve in terms of structure and design, and continued to challenge conventional thinking.

Ranging from the quieter scale of her Maggie’s Centre in Kirkcaldy to the spectacular Maaxi Museum of 21st Century Arts in Rome, Zaha Hadid’s ideas continue to re-define urban life across the globe.

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Jocelyn Bell Burnell

Tuesday 12 July 2011 – 19:45

Jocelyn Bell Burnell is one of the leading scientists of her generation. Join us for this illustrated talk as part of our Great Thinkers series, in which she explores how humanity is directly linked to the cosmos, with the carbon, iron and calcium in our bodies originally coming from the stars.

Jocelyn Bell Burnell was one of a team who discovered the first radio pulsars when still a postgraduate student, and has since gone on to win world renown in a male-dominated field. Her scientific belief that ‘nothing is static, nothing is final, everything is held provisionally’ has become a benchmark for her practice and life.

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Liz Lochhead

Wednesday 13 July 2011 – 19:45

Named Scotland’s National Poet in January, Liz Lochhead gives an exclusive reading at London Literature Festival. Renowned for her intimate and unpretentious style, Lochhead’s poems adopt a range of spoken styles, making this evening a feast for the ear. Her poetry gives expression to both the marginalised voices of women and of Scots; she has said of her work, ‘My language is female-coloured as well as Scottish-coloured’. She reads a selection of her poetry followed by a discussion.

Liz Lochhead will be in conversation with Jude Kelly, Artistic Director of Southbank Centre.

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Other Stories and Other Stories: Ali Smith on Tracey Emin

Tracey Emin, My Heart Is With You/And I Love You/Always Always Always Courtesy: Brooklyn Museum

Tracey Emin’s work is often said to be inseparable from her (often disturbing) autobiography, ever the double edged sword for an artist. Uncompromising pieces like “My Bed” and Everyone I Have Ever Slept With 1963-1995″ have won Emin a devoted following, but also accusations of narcissism and sentimentality that take on new life with each showing of her work. With Emin’s retrospective currently at the Heyward Gallery next door, it was author Ali Smith’s turn to take up her cause at Queen Elizabeth Hall Thursday night. Fortunately, Smith was keen to turn the conversation in a different direction.

My Bed, 1998. It was shortlisted for the 1999 Turner Prize. Courtesy: The Guardian

Smith sees language as the prime mover in Emin’s work. Reading from an essay specially commissioned to accompany the Heyward show, she noted what she believed were the artist’s overlooked strengths: her interest in narrative, her “fluidity and changeability of register” and not least – her warmth and humour. Emin’s neons (see top of this post) were singled out for praise, with Smith likening their wordplay to the work of Gertrude Stein.

In another segment Smith traded brief extracts with host and fellow author Rachel Holmes; Smith read from writers she sees as sharing Emin’s themes, Holmes from Emin’s collection of writing, Strangeland. The autobiographical Strangeland – which, judging from the snippets heard here, is strange indeed – felt like an argument directed at those who still think of Emin as an artist with a limited vocabulary. Smith then expanded the argument by juxtaposing these personal sketches with passages from DH Lawrence (a fellow transgressor, per Smith) and Rumi to place Emin’s work in a wider literary context.

Is this evidence enough to rehabilitate Emin? It’s probably a bit like her art – convincing to those who are already convinced. But for those few who came with no preconceptions, it must have been an eye-opening evening.

Ali Smith reading (quickly!) from her essay on Tracey Emin

Before launching into her essay Smith had warned the crowd that she would read it fast, and it wasn’t an idle threat – the words tumbled out at breathtaking pace. At certain points they seemed to almost fuse together into long riffs, more hip-hop than lecture. And while time constraints surely played a part, I suspect Smith also found this opportunity to play with language in real time irresistible. Another reminder that the ability to “re-see” words she finds so abundant in Emin’s work is equally plentiful in her own.

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