New Maps for an Island Planet / Review

undefinedBy Anita Sethi

A huge map of the world hung on the screen of the Purcell Room during the inspiring and thought-provoking talk, New Maps for an Island Planet.  Yet it was the maps of the mind that were also at the heart of the talk as a panel consisting of geographer Doreen Massey, architect Carolyn Steel, and campaigner and writer Andrew Simms (chaired by Quentin Cooper) drew on their contributions to the publication ATLAS: Architecture, geography and change in an interdependent world.  Poet Lemn Sissay also gave a magnificent performance of his poetry, including an exclusive reading of a haunting new poem, “Night Rain”.

:Lemn Sissay performs

                  “What should we do with the astonishing opportunity of being alive?”, asked Andrew Simms, explaining,  ”I feel like I’ve won the lottery of time and place: to be alive in the universe is so unlikely”. He described the very slim chance of getting the chance to be alive, rather than being inert.  One of the paradoxes explored in “Atlas”, however, is that humanity is both closer together and further apart, given the vast disparity in economic wealth.  Half of humanity lives on under 2 dollars a day and the gap between rich and poor has widened enormously.  We could use new maps of the modern world to shed greater light on the exploitation that occurs such as child labour, and to re-map human relationships, he elaborated.  ”Atlas” offers the opportunity to look afresh at the world.  He quoted from Edward Abbey’s “Joy, Shipmates, Joy”:

One final paragraph of advice: Do not burn yourselves out. Be as I am — a reluctant enthusiast… a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much: I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box and their eyes hypnotized by desk calculators. I promise you this: You will outlive the bastards.

Carolyn Steel described how “one of the greatest benefits of consciousness is the ability to share consciousness with someone else” – and indeed, at the end of an insightful and captivating evening of discussion and poetry, new maps had been sketched out in the imagination about how to make the world a fairer and more equal place for all.

The Spring Season

undefinedBy Anita Sethi

The daffodils have nudged their way out of the earth and the sun is straining over the River Thames.  Despite the cold, Spring is upon us and and there are plenty of Literature and Spoken Word events to look forward to. My highlights include:

Nadine Gordimer

I recently chaired the Southbank Centre Book Club on Nadine Gordimer’s 2001 novel The Pick-Up and the response from attendees was phenomenal, with discussion ranging far and wide, from the content of the novel which is set in post-apartheid South Africa and explores the complex relationship between the two protagonists Julie and Ibrahim, to the disjointed style of the novel itself, which switches perspectives, and makes for a challenging read.

On Wednesday 14 March 2012, 7:30pm Nadine Gordimer talks about her life and literature in the first of a series of events with Index on Censorship, which focuses on the continuing importance of free expression across the world. Gordimer’s latest novel, published to coincide with this event, is No Time Like the Present.  She published her first novel in 1953, and has since gone on to publish short stories, plays and criticism in over 40 books, including The Conservationist, which won the Booker Prize in 1974.  Gordimer won the Nobel Prize for Literature in 1991, and is widely recognized for her activism and for confronting moral and political issues in her writing.

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New Maps for an Island Planet

Tuesday, 13th March 2012, 6:30pm

‘Join us for a discussion about the creation of new maps for navigating the complex challenges presented by global economic and ecological crises. The panel, consisting of geographer Doreen Massey, architect Carolyn Steel, and campaigner and writer Andrew Simms draw on their own contributions to the publication ATLAS: Architecture, geography and change in an interdependent world. Poet Lemn Sissay also performs at this event, which is chaired by broadcaster Quentin Cooper.’

* * * * *

Celebrating Enitharmon Press with  Simon Armitage, Carol Ann Duffy, Helen Dunmore, Seamus Heaney, Michael Longley

Wednesday 21 March 2012, 7:30pm

In the words of Marina Warner, EnitSeamus Heaneyharmon Press ‘has dedicatedly and brilliantly made a success of that sharply endangered species, the independent press.’  In its 45-year history, Enitharmon Press has forged a singular mission as an independent publisher. Simon Armitage, Helen Dunmore, Seamus Heaney and Michael Longley read in celebration of a publisher that has printed their work.

* * * * *

 

 

Noo Saro-Wiwa and Chibundu Onuzo

22nd March 2012, 7:45pm

“Noo Saro-Wiwa and Chibundu Onuzo explore their native land of Nigeria through travelogue and fiction, sharing their stories of Lagos and beyond.

Saro-Wiwa’s activist father took her back to Nigeria each year when she was a child. In Looking for Transwonderland she journeys through a country of extreme contrasts, of eccentricity, kitsch and modernity, to become reconciled with her homeland.

Onuzo’s debut novel, The Spider King’s Daughter, explores the daring and unexpected love affair between Abike Johnson, from the elite of Lagos society, and a young hawker she meets from the city’s slums. The novel looks at the rifts and tensions in Nigerian society”.

TEN readings

Four poets read from their latest work in this special event to celebrate the TEN anthology. The poets’ diverse backgrounds, with roots in Bangladesh, Pakistan, Saudi Arabia, Ireland and Uganda, are united through their craft – powerful and moving contemporary writing, which speaks of Britain today.

The event is hosted by Bernardine Evaristo.

* * * * *

www.twitter.com/anitasethi 

Storytelling

I’m no storyteller but I do enjoy a good yarn, so ahead of the Storybox Live event tomorrow (which I’ve been part of organising) I thought I’d share a couple of stories I’ve collected from people over the London Literature Festival.

It’s a while back, but on the 5th of July I saw John Agard, Val Bloom, Jean ‘Binta’ Breeze and Grace Nichols in the Purcell Room at the Queen Elizabeth Hall. Now last year, the most vibrant and fitting event to end the LLF came in the form of John Agard headlining a line up of young poets and musicians. That night I was so elated by the king of Caribbean poetry’s performance (of ‘Palm Tree King’ amongst others) that I merrily skipped through puddles and torrential rain on my way home. It’s a very cliche activity that you must try if you’re ever in that kind of mood. So of course, I was looking forward to seeing John Agard performing with his contemporaries, the people who share his rhythmic, musical, storytelling style of poetry. But before the performance began, I found myself sitting next to a lovely lady called Anne Keely, who happened to be a guest of John Agard’s and an old friend of his who was part of the literary scene in the 70s when John and Grace Nichols’ careers were just starting. She began to tell me about a vast, old humber keel barge that she used to own in Greenwich, near the Cutty Sark, which was a floating children’s bookshop- in fact the only specialist children’s bookshop in London at the time. The barge never sailed around but poets and authors, including John Agard, came to it to do workshops and readings. Anne also mentioned that she had ‘The Book Bus’, a red double decker that would tour London Schools, and this was going from the late 70s until about 1994 or 1995.

Aren’t these two bookshops the the most fantastic images? In my head I see a long, creaky old barge with shelves and shelves of wonderful books where you could sit and read whilst the Thames gently lapped against the flaking paint of the boat. I like to think of The Book Bus zooming around London with my favourite childhood characters all sitting aboard, waiting to be discovered- maybe Moonface from The Faraway Tree, Aslan and Prince Caspian, the sisters from Ballet Shoes, the Hungry Caterpillar, the March sisters, Matilda…I must stop before I get too nostalgic and abandon the end of the LLF for the dusty cardboard boxes of books in my mother’s attic.

So thank you Anne for sharing your memories with me, I hope I got the details correct and that you don’t mind me projecting my nostalgic ideals onto your bookshops!

The night before I had seen the wonderful Population- Lemn Sissay, Gary Crosby, Peter Edwards and Tomorrow’s Warriors Jazz Orchestra. I cannot even describe how atmospheric and hypnotic the combination of these people was, but Nkechi did here.

Afterwards I managed to grab a quick chat with Lemn and whilst we were talking his friend Nod Knowles joined us and the two began to have a conversation reminiscing on how Lemn and Gary Crosby had come to meet:

Nod: Long time ago, before the war, I first saw Lemn on stage in Exeter and Devon Arts Centre in the late 80s, with Jack Dee on a double bill! The moment I saw him I really clicked with his poetry, partly because my son is from Manchester and I recognised that voices. I was programing all of the jazz music for Bath International Music Festival and have done until very recently, for many years, so I brought Lemn along to do a little interlude with Andy Shepherd (jazz musician and composer), just to see how it would be to have a poet and some music together, and that worked well. Somehow we got you together with some other musicians….

Lemn-The David Murray Big Band Tour

Nod- Yes but Gary (Crosby) wasn’t on that tour. Then we had a small group with Kenrick Rowe and Alec Dankworth and then the British Council wanted to do some work overseas with him so Gary got the gig with you and Jonathan G was the piano player…and do you know what Gary just said to me? ‘I’ve been waiting years to get together with Lemn  again’.

Lemn- Yeah he said that to me!

Nod- Lemn, that was absolutely superb, Peter Edwards…the writing…extrodinary…everything about that was right and I don’t say that often, every single thing about that was right.

So a lovely little snippet of memories there, peppered with some very impressive names from the world of jazz. One more thing I’d like to share with you is something very interesting that Lemn said about his dilemma on whether or not to accept the MBE, and his acceptance of it. He said, ‘the queen’s head is on every note I use, so am I not going to use that money? This land is owned by the Duke of Westminister, the Queen’s the patron of the Southbank Centre…So if I’m going to turn it down on principle, there’s a whole lot of other things I’d have to do to match up to that.’ I don’t think this man ever says anything that isn’t eloquent enough to quote.

If you’d like to see some of the photographs, quotes and poetry that the Storybox team have collected and created in response to events over the festival, please come to our free event tomorrow in the Front Room of the Queen Elizabeth Hall between 1pm and 5pm. There will be performances at 1pm and 3pm, the twitter typewritter, a polaroid stall, some interactive art by Charlotte Emily and other exciting things including a soundscape of interviews and recordings, crafted by Will Munro. By the end of the afternoon we hope to have filled our ‘storybox’ with drawings, writings and photographs from us and our audience, and it’ll be opened out to reveal a collage of responses to the Literature Festival.

http://www.southbankcentre.co.uk/find/literature-spoken-word/tickets/storybox-live-53709

http://www.facebook.com/event.php?eid=140547589304926&index=1

alexrowse.blogspot.com

Lit Lounge with Lemn Sissay, Interview by Nadia Gasper

Introducing Lit Lounge!
The home of Q&A
Where artists chillax and laugh and have plenty to say.
Hail all at the Lit Lounge
The home of Q & A
Where writers ponder questions and exhaust wordplay.
Welcome to the Lit Lounge
The home of Q&A
We launch with an interview conducted by Nadia Gasper, guest starring Lemn Sissay!

Who and what are your inspirations?
Wow! I have many! They range from Tupac to Langston Hughes, Maya Angelou to Alice Walker, Val Bloom to John Agard. Basically, anyone who helped me find who I was. Anyone who expressed wisdom, honesty, truth and humour inspired me.

When did you discover spoken word was your calling?
I always knew that’s what I wanted to do. I wrote my first book at 21.
Where would the world be without spoken word?
We’d die without it. We need it to articulate our emotions. It’s totally primal.

What does the Literature Festival mean to you?
Lol! I remember the last one. It grows every year but then again, if a festival has diversity and quality it will always do well because it’s ‘in touch’.

Anyone you’re looking forward to seeing?
Jackie Kay – she’s incredible. I’m also looking forward to Andrea Levy.
Tell us more about your event, Population. Why should people come?
The music is incredible! I’ve always felt poetry and music go well together. Dennis Bouvelle is a musician famous for working with poetry. I’m very excited.

Self Improvement: 1000 ways is 100 days

A poet, a painter, a music maker: what have you always wanted to be, or be able to do?

Could you do one thing each day to get you that  little bit closer?

As part of the London Word Festival more than 1000 participants made daily self improvements in the 100 days to make me a better person project captained by comedienne Josie Long. Adventurous artist and inventor Twentington wrote a sixteen line poem everyday, whilst poet Chrissie Williams embarked on a quest to learn 100 new words, discovering such dictionary quirks as porraceous (leek-green?!) and endeavouring to use them in conversation. Other participants learnt French, spoke to strangers and mastered the art of knitting.  

  In the spirit of trying something new, Southbank Centre Members claimed the mic at the recent Members’ Poetry event, with artist in residence Lemn Sissay bringing the laughs and his distinctive poetic dynamics to the mix .

Global Poetry System is a user generated world map of poetry.  In keeping with our exploration of poetry and place, this week we recommend Tom Chivers’ How to Build a City for a poetic tour of London from all sorts of alternative angles. You can find his book in the Poetry Library here at Southbank Centre.

The Guardian and The Times plug Global Poetry System

Really nice piece in The Times last week by Southbank Centre Artists in Residence and Poet Lemn Sissay about the Global Poetry System website:

It ain’t where you go, it’s where you’re at. Global positioning system (GPS) is a mere five years old in the UK. Now you can locate where you are, wherever you are, whenever you want. Things move fast, and now GPS represents more than directions. GPS is “Global Poetry System” — a call to action that uses Google Maps to locate the poetry that surrounds us.
Read the full article here

The Guardian recommends Global Poetry System website:

Attempting to make us realise that poetry is a much bigger part of the fabric of our everyday lives than we may at first imagine, the idea behind Global Poetry System is for us to identify verse in the most ordinary of places.
Read the article here

National Poetry Day Live

National Poetry Day Live creeps closer and closer. The gratuitously all-star line up has been confirmed; the rarest footage of our poetic heroes has been baptised by the copyright gods. The Clore Ballroom’s furniture is being tinkered with; the 19 metre wide screen designed for poetic projections is being buffed. Global Poetry System is limbered up and poised for its launch.

It’s set to be a very special day for poetry. It’s an afternoon of readings, read by some of the best poets alive today, in a public space, where all are welcome. The performances will be punctuated with interactive activities designed to activate your creative imagination. And like all truly beautiful experiences, it’s totally free…

If you have even the most lukewarm interest in words, I’m inclined to think this event is not to be missed. It’ll be a great day.

Benjamin Zephaniah by Lemn Sissay – Part 1

Posted on behalf of Lemn Sissay by Rosie Goldsmith. On July 10th Lemn introduced London Literature Festival’s ‘Access All Areas’ event with Benjamin Zephaniah.

‘Wild Horses in the Foyer’ by Lemn Sisay

Other than unformed notes I hadn’t yet written the introduction to Benjamin Zephaniah for his appearance at Queen Elizabeth Hall. But the wild horses were gathering on the horizon.
In flight a sliver of cold steel has slipped into my neck. I arrive home un-rested after a five thousand mile overnight flight from South Africa. I unpacked and balanced the South African masks upon their plinths around our home and then cycled to Southbank Centre.
This is what I missed when away. I park the bike in the riverside rooms where the artist in residence are based and within seconds a camera crew and interviewer are bungling themselves through the door. I’d scheduled an interview at 3.15pm for a new initiative called LitUp Singapore.
I can hear the thunder of their gallop. My notes for the intro are rustling. The interview goes as well as interviews do. And between five and six pm I call in the horses and they leave a trail of sentences. I then print them. I print the Benjamin Zephaniah introduction.
At seven pm I meet Benjamin back stage who is sat comfortably with Rachel Holmes in the Green Room. By seven thirty-five Benjamin saunters on stage to rapturous applause. He smiles “next time I introduce a new girlfriend to my mum Lemn…Will you write the introduction?” he tells me. He’s happy. I’m proud and he delivers a blinding set. Great to watch a master at work.
I pop up to the artists’ hang out in the RFH where I meet Tom Priestley, the son of the late JB Priestley whose book ‘An English Journey’ had just had its relaunch in The Purcell Room. I imagine if JB Priestley were alive he would’ve met with Benjamin to say ‘hi’. Benjamin would have joked with Priestley about his pipe-smoking and Priestley would have made some joke about weed. They would have compared notes about their respective events. An English Journey indeed.
I am exhausted but I love it. At 11pm I get on my bike, switch on the lights and cycle off and over Waterloo bridge, round Aldwych, up Holborn, through Islington onwards, onwards to Dalston into Hackney and finally home.

Benjamin Zephaniah by Lemn Sissay – Part 2

Posted on behalf of Lemn Sissay by Rosie Goldsmith, with thanks to Dominqie Brewster for the photos.
On July 10th Lemn introduced London Literature Festival’s ‘Access All Areas’ event with Benjamin Zephaniah.

Benjamin Zephaniah – Freedom fighter – by Lemn Sissay

What a joyous night. Ladies and gentlemen my name is Lemn Sissay and I am Artist-in-Residence at Southbank Centre. It is part of a 21st century vision that artists should be at the heart of an arts centre. Part of that vibe is to Access All Areas, and bring artists here that have inspired me.
It doesn’t get better than this. It does not get better than this.
Many of you will know him as a novelist, many as a poet, many as a children’s author or as a world- reknowned recording artist. Most of you will know him as all these things. Whereas some enter one field of literature in each field entered by Zephaniah books bloom songs grow and poems rise around him. Soon enough whichever field he enters and furrows, becomes surrounded with people staring in awe at the natural beauty “us” – as Tony Harrison might say.
And of nature – Zephaniah the vegan man of meditation. Though you may rarely, if at all, see him referred to as a Doctor Benjamin Zephaniah, he has been bestowed with honorary doctorates from many universities (including Southbank University here), proud to associate themselves with him and acknowledge the writer; a man dedicated to the written word and the spoken word. Not bad for the boy who once slept with a gun beneath his pillow who one day woke up and said no more – there is more than this.
I first heard the term ‘think globally, act locally’ from Benjamin Zephaniah. We may love him as local but he is truly international. At one reading in some far-flung country a helicopter landed by his accommodation. The leader of that country wanted to see him for a chat. In India I was sat in a plush hotel and the background music that came through was Benjamin Zephaniah
In South Africa he helped free Mzwakhe Mbulis, imprisoned on trumped-up charges of robbery.
An exact quote from the letter he wrote to the then–president Nelson Mandela:
“you can judge a country by how it treats his poets.”
A short while later Nelson Mandela visited Mzwake with fresh fruit. And a short while later Mzwakhe was freed. Benjamin Zephaniah is legend in South Africa. He has boldly gone where no poet has gone before.
He has spoken the truth were others have not. Before this event tonight The Young Curators of Southbank Centre asked if he would come and see them perform. He came early to watch them…. What to say to introduce the man of the people, one of the most astounding writers of our time?
I ask the people.
I made a question upon my facebook status page: ‘What shall I say to introduce him. The suggestions poured out. It was just pure pure love…….From Dave Haslam the DJ from The famed Hacienda night club, from a teacher in Sussex… but there are two that I would like to quote. The first is from the television presenter from The One Show and radio broadcaster, Hardeep Singh Kholi:
‘Please tell him that we owe him a debt of gratitude for trail-blazing the way for the rest of us. And that we respect him….and that he has cute cheeks that are simply asking to be squeezed hard.’
Finally I am going to use the words left upon my facebook page by Les Rickford who introduced him with these self same words at Womad in 1989. First he says: ‘Please let him know he is well loved.’
Les Rickford introduced Benjamin with four lines. See if you can work out the rhyme and after hearing his name please applaud him.

‘His riddims tek you higher
His lyrics they inspire
so put your hands together
for Benjamin Zephaniah’

What to do with words?

wordswordswordswordswordswordswordswordswordswordswords

all around us, and a festival devoted to literature accelerates and proliferates our verbose environment as it celebrates

wordswordswordswordswordswordswordswordswordswordswords

When the festival is over, where do the words go?

Southbank Centre artist in residence Lemn Sissay has set up Global Poetry System  for us to keep a hold on the acceleration and proliferation of

wordswordswordswordswordswordswordswordswordswordswords

in our everyday life. 21st Century WORD artists such as Kenneth Goldsmith realise that the word is out, the world is word and it’s ready to capture.

20th Century WORD artists such as Jackson Mac Low led the way. (His books can be found in The Poetry Library) He cut through existing texts using a phrase as a tool. The positions of the letters in the phrase would determine which words to cut. He would search for a word matching the first letter of the phrase, than another with a matching second letter and so on.

So, in celebration of the soon to arrive Global Poetry System and the last two days of the London Literature Festival, here, inspired by Jackson Mac Low, I cut through the characters of this blog using the letters of the phrase: London Literature Festival 

 

Lift words sentences words LONDON COMMENT

LAUNCH Diran authors Queen Pierre, Kamila Jeanette LITERATURE Literature LITERATURE

FESTIVAL LEAVE POSTED Posted Aldrin Festival festival Festival

 

LAURA DOCKRILL minutes words, video, London

Literature first entries Here literary membrane LITERATURE Literature Literature super-talented

feathers yellow Festival FESTIVAL upbringing FESTIVAL captivated critically

 

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